So far In this series I've written about my, hmm, appreciation I guess, of the German language and about my own personal history involving The Sound of Music. This week I think I'll go back about thirty or forty years for last weeks post and talk about the 1965 film of The Sound of Music and how it came to exist.
A lot of people who have seen The Sound of Music film know that it was based off of the 1959 Broadway musical of the same name. There are differences between the two, many of which I mentioned in my four part review of NBC’s recent telecast of The Sound of Music Live starring Carrie Underwood.
The major difference is song order. Mainly, My Favorite Things and Lonely Goatherd. In the play Reverend Mother sings My Favorite Things with Maria before she leaves for the von Trapps and Maria sings Lonely Goatherd to the children during the Thunderstorm. There are also a couple of songs from the Broadway show that were not included in the film and a couple of songs included in the film that were not in the play. The songs from the film are I Have Confidence and Something Good.
Oscar Hammerstein died in 1960, about 4 years before film production began. When they scored (placed the songs in) the film there were a couple of spots where it was felt new songs were needed so Richard Rodgers wrote both the music and lyrics for I Have Confidence and Something Good.
In 1956, nine years before the film and three before the play, a German studio released Die Trapp Familie followed by Die Trapp Familie in Amerika (1958) which is the original work based on Maria von Trapp's book The Story of the Trapp Family Singers. The German films cover events in the von Trapps lives from Maria leaving the abbey, similar to the 1965 film, and then all the way up through the family leaving Austria, being detained on Ellis Island, and up to purchasing a house in Vermont. I have only seen the very condensed American version of the film, dubbed in English and entitled The Trapp Family. This was actually the film Mary Martin had seen when she approached Rodgers and Hammerstein with the idea of making a musical play about the lives of the von Trapp Family Singers.